{"id":4467,"date":"2026-01-06T15:27:26","date_gmt":"2026-01-06T15:27:26","guid":{"rendered":"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/"},"modified":"2026-01-06T15:27:26","modified_gmt":"2026-01-06T15:27:26","slug":"what-does-a-publisher-do","status":"publish","type":"post","link":"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/","title":{"rendered":"What Does a Publisher Do? The Definitive Guide for Authors"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_75 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#The_Unseen_Machinery_of_Literary_Success\" >The Unseen Machinery of Literary Success<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#The_Evaluation_Framework_How_to_Assess_Publishing_Value\" >The Evaluation Framework: How to Assess Publishing Value<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#The_Six_Core_Functions_of_a_Publisher\" >The Six Core Functions of a Publisher<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#1_Acquisitions_The_Financial_and_Creative_Gatekeepers\" >1. Acquisitions: The Financial and Creative Gatekeepers<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#2_The_Editorial_Lifecycle_From_Manuscript_to_Masterpiece\" >2. The Editorial Lifecycle: From Manuscript to Masterpiece<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#3_Design_Typesetting_and_Metadata\" >3. Design, Typesetting, and Metadata<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#4_Production_and_Supply_Chain_Management\" >4. Production and Supply Chain Management<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#5_Sales_and_Distribution_Channels\" >5. Sales and Distribution Channels<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#6_Rights_Management_and_Legal_Protection\" >6. Rights Management and Legal Protection<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#Comparative_Analysis_Traditional_vs_Service_Publishing\" >Comparative Analysis: Traditional vs. Service Publishing<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#The_Strategic_Importance_of_Metadata_and_SEO_in_Publishing\" >The Strategic Importance of Metadata and SEO in Publishing<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#Frequently_Asked_Questions\" >Frequently Asked Questions<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#Do_publishers_own_the_copyright_to_my_book\" >Do publishers own the copyright to my book?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#How_do_publishers_make_money\" >How do publishers make money?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#What_is_the_difference_between_a_publisher_and_a_printer\" >What is the difference between a publisher and a printer?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#Can_a_publisher_guarantee_my_book_will_be_a_bestseller\" >Can a publisher guarantee my book will be a bestseller?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/#Conclusion_The_Publisher_as_a_Strategic_Partner\" >Conclusion: The Publisher as a Strategic Partner<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"The_Unseen_Machinery_of_Literary_Success\"><\/span>The Unseen Machinery of Literary Success<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>When an author holds a finished hardcover book, weighing the gloss of the dust jacket and the scent of the paper, they are witnessing the final output of a massive industrial and creative ecosystem. Yet, for many aspiring writers, the specific mechanics of this ecosystem remain opaque. The question, <strong>&#8220;what does a publisher do,&#8221;<\/strong> is often answered with vague notions of printing and selling. In reality, a publisher acts as a venture capitalist, a project manager, a quality control expert, and a logistics coordinator all at once.<\/p>\n<p>Publishing is the bridge between a raw manuscript and a commercial product. It involves a complex supply chain that manages intellectual property rights, editorial refinement, physical manufacturing, and global distribution. For authors partnering with industry leaders like <a href=\"https:\/\/ghostwritingllc.com\/\">Ghostwriting LLC<\/a>, understanding these functions is critical. It transforms the author from a passive artist into an informed business partner, capable of navigating the competitive landscape of modern literature.<\/p>\n<p>To fully grasp the scope of a publisher&#8217;s role, we must move beyond the surface level and dissect the operational framework that turns a Word document into a cultural artifact.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Evaluation_Framework_How_to_Assess_Publishing_Value\"><\/span>The Evaluation Framework: How to Assess Publishing Value<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Before dissecting the specific tasks of a publisher, we must establish a semantic framework for evaluation. Not all publishers perform the same functions, and the rise of hybrid and self-publishing models has fragmented the definition. To understand what a publisher does, we evaluate them based on four pillars of value creation:<\/p>\n<ul>\n<li><strong>Curation and Validation:<\/strong> The ability to filter content and signal quality to the market.<\/li>\n<li><strong>Editorial Enhancement:<\/strong> The rigorous process of improving the narrative, structure, and syntax of a manuscript.<\/li>\n<li><strong>Production and Packaging:<\/strong> The technical conversion of text into a readable, marketable format (print and digital).<\/li>\n<li><strong>Distribution and Rights Management:<\/strong> The logistical network that places books in stores and exploits subsidiary rights (audio, foreign language, film).<\/li>\n<\/ul>\n<p>A traditional publisher shoulders the financial risk across all four pillars. In contrast, modern service-oriented models may unbundle these services, allowing authors to retain control while accessing professional infrastructure.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"The_Six_Core_Functions_of_a_Publisher\"><\/span>The Six Core Functions of a Publisher<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The lifecycle of a book within a publishing house is linear yet iterative. Below, we detail the operational phases that define the publisher&#8217;s daily existence.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"1_Acquisitions_The_Financial_and_Creative_Gatekeepers\"><\/span>1. Acquisitions: The Financial and Creative Gatekeepers<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The first role of a publisher is that of an investor. The acquisitions department does not merely look for &#8220;good&#8221; books; they look for commercially viable products. This process involves a distinct separation between the creative merit of a work and its market potential.<\/p>\n<p>Acquisition editors review query letters and manuscripts, often filtered through literary agents. When a title shows promise, the publisher performs a Profit and Loss (P&#038;L) analysis. This financial projection estimates:<\/p>\n<ul>\n<li><strong>projected sales<\/strong> based on comparable titles (comps);<\/li>\n<li><strong>production costs<\/strong> for hardcover, paperback, and ebook formats;<\/li>\n<li><strong>marketing budget<\/strong> requirements to gain visibility.<\/li>\n<\/ul>\n<p>If the P&#038;L creates a positive margin, the publisher makes an offer, usually involving an advance against royalties. This action defines the publisher&#8217;s primary economic function: risk assumption. By paying the author upfront and covering all production costs, the publisher is betting on the book&#8217;s future performance.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"2_The_Editorial_Lifecycle_From_Manuscript_to_Masterpiece\"><\/span>2. The Editorial Lifecycle: From Manuscript to Masterpiece<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Once a book is acquired, it enters the editorial department. This is perhaps the most misunderstood aspect of what a publisher does. It is not simply &#8220;spellchecking.&#8221; It is a multi-stage architectural renovation of the text.<\/p>\n<p><strong>Developmental Editing:<\/strong> This is the macro-level view. Editors analyze the pacing, character arcs, voice, and thematic consistency. Entire chapters may be deleted, rewritten, or restructured. For non-fiction, this ensures the argument is sound and the research is integrated logically.<\/p>\n<p><strong>Copyediting:<\/strong> Once the structure is locked, the manuscript moves to copyediting. This phase focuses on syntax, grammar, style consistency (following the Chicago Manual of Style), and fact-checking. This ensures the text is technically flawless.<\/p>\n<p><strong>Proofreading:<\/strong> The final line of defense happens after the book is laid out (typeset). Proofreaders check for &#8220;widows and orphans&#8221; (bad line breaks), typographical errors introduced during design, and header\/footer consistency.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"3_Design_Typesetting_and_Metadata\"><\/span>3. Design, Typesetting, and Metadata<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>A book is a product that must compete on a shelf surrounded by thousands of alternatives. The publisher&#8217;s art department is responsible for packaging the intellectual property in a way that signals its genre and quality to the consumer immediately.<\/p>\n<p><strong>Cover Design:<\/strong> This is a marketing tool, not just decoration. Publishers analyze trends in color theory and typography specific to the book&#8217;s genre to ensure the cover appeals to the target demographic.<\/p>\n<p><strong>Interior Typesetting:<\/strong> The readability of a book relies on professional typesetting. This includes font selection, kerning (spacing between letters), and leading (spacing between lines). A publisher ensures the reading experience is frictionless.<\/p>\n<p><strong>Metadata Engineering:<\/strong> In the digital age, this is arguably the publisher&#8217;s most vital technical task. Metadata includes the ISBN, BISAC codes (genre categorization), keywords, and book descriptions uploaded to databases like Bowker. Accurate metadata ensures that when a reader searches for &#8220;historical fiction about WWII,&#8221; the correct book appears on Amazon and library systems.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"4_Production_and_Supply_Chain_Management\"><\/span>4. Production and Supply Chain Management<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>What does a publisher do regarding the physical object? They act as a manufacturing liaison. Publishers cultivate relationships with printers to manage the complex logistics of paper sourcing, binding, and shipping.<\/p>\n<p>For high-volume titles, publishers utilize <strong>offset printing<\/strong>, which offers lower unit costs but requires high upfront runs (thousands of copies). For niche titles or back catalogs, they utilize <strong>Print-on-Demand (POD)<\/strong> technology, which prints a single copy only when an order is placed. The publisher manages the inventory levels, warehousing, and returns\u2014a unique aspect of the book industry where retailers can return unsold stock for credit.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"5_Sales_and_Distribution_Channels\"><\/span>5. Sales and Distribution Channels<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>There is a distinct difference between &#8220;marketing&#8221; and &#8220;sales&#8221; in publishing. Marketing targets the consumer (the reader); Sales targets the retailer (the bookstore).<\/p>\n<p>A publisher&#8217;s sales team pitches titles to buyers at major retail chains (like Barnes &#038; Noble), independent bookstores, libraries, and wholesalers (like Ingram and Baker &#038; Taylor). These wholesalers are the arteries of the book world, supplying books to retailers globally.<\/p>\n<p>A publisher\u2019s distribution network is their leverage. A self-published author can list a book on Amazon, but a traditional publisher has the infrastructure to get physical copies onto shelves in airport kiosks, supermarkets, and indie bookshops. They negotiate shelf placement and co-op advertising (payment for premium store placement).<\/p>\n<h3><span class=\"ez-toc-section\" id=\"6_Rights_Management_and_Legal_Protection\"><\/span>6. Rights Management and Legal Protection<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The final, often invisible, layer of a publisher&#8217;s role is the exploitation and protection of intellectual property rights. A publishing contract grants the publisher the right to license the work in various territories and formats.<\/p>\n<p><strong>Subsidiary Rights:<\/strong> Publishers actively pitch the work for translation into other languages, audiobook adaptation, and sometimes film or television serialization. They handle the complex legal contracts and royalty accounting associated with these third-party deals.<\/p>\n<p><strong>Copyright Protection:<\/strong> If a book is pirated or plagiarized, the publisher\u2019s legal team steps in to issue takedown notices and protect the commercial viability of the work.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Comparative_Analysis_Traditional_vs_Service_Publishing\"><\/span>Comparative Analysis: Traditional vs. Service Publishing<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>To further clarify the publisher&#8217;s role, we must compare the traditional model with modern alternatives where companies like <a href=\"https:\/\/ghostwritingllc.com\/ghostwriting-services\">Ghostwriting LLC<\/a> operate, assisting authors who wish to retain more control or accelerate their timeline.<\/p>\n<table>\n<thead>\n<tr>\n<th>Function<\/th>\n<th>Traditional Publisher<\/th>\n<th>Professional Services \/ Hybrid<\/th>\n<th>DIY Self-Publishing<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Ownership &#038; Rights<\/strong><\/td>\n<td>Publisher licenses rights; Author loses control for contract duration.<\/td>\n<td>Author retains 100% of rights and creative control.<\/td>\n<td>Author retains 100% of rights.<\/td>\n<\/tr>\n<tr>\n<td><strong>Financial Model<\/strong><\/td>\n<td>Publisher pays advance; keeps ~85-90% of sales revenue.<\/td>\n<td>Author pays for services; keeps 100% of sales revenue.<\/td>\n<td>Author pays costs; keeps royalties (varies by platform).<\/td>\n<\/tr>\n<tr>\n<td><strong>Time to Market<\/strong><\/td>\n<td>Slow (18\u201324 months).<\/td>\n<td>Fast (3\u20136 months).<\/td>\n<td>Immediate.<\/td>\n<\/tr>\n<tr>\n<td><strong>Editorial Standards<\/strong><\/td>\n<td>High (Gatekept).<\/td>\n<td>High (Professional staff).<\/td>\n<td>Variable (Depends on author&#8217;s budget).<\/td>\n<\/tr>\n<tr>\n<td><strong>Distribution<\/strong><\/td>\n<td>Deep physical penetration (Bookstores).<\/td>\n<td>Wide digital &#038; POD distribution.<\/td>\n<td>Mostly digital (Amazon\/KDP).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span class=\"ez-toc-section\" id=\"The_Strategic_Importance_of_Metadata_and_SEO_in_Publishing\"><\/span>The Strategic Importance of Metadata and SEO in Publishing<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>In the modern era, a publisher is essentially a data analyst. With the majority of book sales occurring online, the &#8220;discoverability&#8221; of a book is governed by algorithms. A competent publisher optimizes a book\u2019s digital footprint.<\/p>\n<p>This involves selecting high-traffic but low-competition keywords for retailers, optimizing the book description (blurb) for conversion rates, and managing Amazon A+ Content. They constantly monitor sales ranks and adjust pricing strategies\u2014dynamic pricing\u2014to maximize revenue during launch windows or promotional periods. This data-driven approach shifts the answer of &#8220;what does a publisher do&#8221; from &#8220;making books&#8221; to &#8220;managing digital assets.&#8221;<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Frequently_Asked_Questions\"><\/span>Frequently Asked Questions<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<h3><span class=\"ez-toc-section\" id=\"Do_publishers_own_the_copyright_to_my_book\"><\/span>Do publishers own the copyright to my book?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>In a standard traditional publishing deal, the author retains the copyright to the work itself, but grants the publisher an &#8220;exclusive license&#8221; to print and distribute the book for a set period or the full term of copyright. In contrast, when working with professional book service providers, the author retains full copyright and licensing rights immediately.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"How_do_publishers_make_money\"><\/span>How do publishers make money?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Publishers operate on a margin model. They make money by selling books to retailers at a discount (usually 40-55% off the cover price). From the remaining revenue, they pay production costs, overhead, and the author\u2019s royalties. If an advance was paid, the publisher keeps all author royalties until the advance has &#8220;earned out.&#8221;<\/p>\n<h3><span class=\"ez-toc-section\" id=\"What_is_the_difference_between_a_publisher_and_a_printer\"><\/span>What is the difference between a publisher and a printer?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>This is a critical distinction. A printer is a manufacturer that puts ink on paper. They have no interest in the content, marketing, or sales of the book. A publisher oversees the entire lifecycle of the book, from editorial creation to global sales strategies. A publisher hires the printer.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Can_a_publisher_guarantee_my_book_will_be_a_bestseller\"><\/span>Can a publisher guarantee my book will be a bestseller?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>No publisher can guarantee bestseller status. While they provide the necessary infrastructure\u2014editing, design, and distribution\u2014market reception is unpredictable. However, professional <a href=\"https:\/\/ghostwritingllc.com\/book-editing-services\">book editing services<\/a> and strategic marketing plans significantly increase the statistical probability of success.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Conclusion_The_Publisher_as_a_Strategic_Partner\"><\/span>Conclusion: The Publisher as a Strategic Partner<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The question &#8220;what does a publisher do&#8221; reveals a role that is multifaceted and essential to the literary landscape. A publisher is not merely a printer of words, but a custodian of culture and a manager of commerce. They bridge the gap between the solitary act of writing and the public act of reading.<\/p>\n<p>Whether an author chooses the traditional path, seeking validation from legacy houses, or opts for the agility and control of independent publishing supported by firms like <strong>Ghostwriting LLC<\/strong>, the functions remain the same. Quality control, professional design, strategic metadata, and robust distribution are the non-negotiable pillars of a successful book. Understanding these mechanics empowers authors to stop viewing publishing as a mystery and start treating it as the business it truly is.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Unseen Machinery of Literary Success When an author holds a finished hardcover book, weighing the gloss of the dust jacket and the scent of the paper, they are witnessing the final output of a massive industrial and creative ecosystem. Yet, for many aspiring writers, the specific mechanics of this ecosystem remain opaque. The question, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4466,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-4467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-research"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What Does a Publisher Do? The Definitive Guide for Authors - Ghostwriting LLC<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ghostwritingllc.com\/blog\/what-does-a-publisher-do\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What Does a Publisher Do? 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